RCA Theatre, Artistic Fraud of Newfoundland, and Tarragon Theatre Present

The Night Logan
Woke Up

by Michel Marc Bouchard
adapted by Robert Chafe

CAST

Sehar Bhojani* – Megan
Petrina Bromley* – Emilia
Brad Hodder* – Justin
Evan Mercer* – Elliot
Dana Puddicombe* – Chantal
Gordon Patrick White* – Dennis

Director
Jillian Keiley*

Set/Prop Designer
Shawn Kerwin**

Sound Designer
Don Ellis

Lighting Designer
Arun Srinivasan**

Costume Designer
Marie Sharpe

Video Designer
Pat Dempsey

Stage Manager
Jaimie Tait*

Apprentice Stage Manager
Sophia Molnar

Props Creation
Emma Cole

Production Assistants
Amanda Spencer-Parent & Robyn Peters

Painter
Sara Dorey

Embalming Consultant
Vanessa Lannon/Carnell’s Funeral Home

Fight Director
Anita Nittoly*

Fight Captain
Evan Mercer*

Technical Director
Pat Dempsey

Builder
Chris Panting

Directing Mentee
Jessica Quaw

Singer
Sherry Ryan

Graphic Design
Perfect Day

*These artists are members of Canadian Actors’ Equity Association engaged under the Canadian Theatre Agreement (CTA).

**These artists are members of the Association of Designers of Canada, IATSTE Local 659c

With Special Thanks

Peter MacDonald, Frank Donato, Mike Donovan, Karl Simmons, Randy Feener and the Staff at the ACC, Nefren Feizo-Gas, Victor Tilley, Jeff Baggs, Justin Wiseman, Wm L Chafe , Aiden Flynn, Melanie Mooney, Tim Matson, Sharon King-Campbell for
Persistence Theatre, Centra NL, Beni Malone for Wonderbolt, Terry Doyle, Emma Hewitt, Catherine Allan

Recorded music in the show is used with permission from the
artist – Sherry Ryan.

 

 

Resource Centre for the Arts and Artistic Fraud of Newfoundland would like to acknowledge that the land upon which we create, perform, and gather is the ancestral homeland of the Beothuk, whose people and culture have been irrevocably lost. Ktaqmkuk, colonially known as Newfoundland, is the unceded traditional territory of the Beothuk and Mi’kmaq. Today the province is home to diverse Indigenous populations, including the Mi’kmaq, Métis, First Nations, Innu, and Inuit.

As artists, we strive to be good stewards of the land and use our respective platforms to honour and amplify the voices of this land’s original caretakers. A donation has been made to the Indian Residential School Survivors Society in the name of this
production. We invite patrons to do the same by visiting www.irsss.ca.

 

 

Setting: Clarenville

Act 1: afternoon

Act 2: later that night

From the Producers

On behalf of producing partners Resource Centre for the Arts Theatre, Artistic Fraud of Newfoundland, and Tarragon Theatre, welcome to the English world premiere of Michel Marc Bouchard’s THE NIGHT LOGAN WOKE UP, adapted by Newfoundland’s own Robert Chafe.

There’s a reason why this story has been translated into so many languages and staged around the world; its deep specificity begets the universal. Michel Marc Bouchard, through Robert’s localized lens, sets the familiar and unfamiliar at odds. A story that for many will be recognizable and relatable—estranged family members, decades-old secrets, fractured childhoods—unfolds within the unfamiliar environment of a funeral home’s embalming room, a space few of us ever see. Behind the veil we discover a world of chemicals and strange machines and sharp tools, all designed to preserve a body for burial. But some things refuse to die with this family, as with so many families across countless languages and cultures and regions of origin. For the Clarenville family at the centre of this profound work, the real digging must occur not at a gravesite, but within the bowels of a local funeral home.

The three companies involved in bringing this story to life share a common focus: the development and production of new
Canadian works. It’s an honour to collaborate on a piece that will now exist as one of the country’s finest scripts in both the French and English canons.

– Meghan Greeley (RCAT), Robert Chafe (Artistic Fraud), and Mike Payette (Tarragon)

From the Adaptor

In 2019 I was approached by Emma Tibaldo, then Artistic Director of Playwrights Workshop Montreal, and asked if I would be interested in doing the English language translation of Michel Marc Bouchard’s latest play La nuit où Laurier Gaudreault s’est reveille. The play was just about to premiere in Montreal – where it would go on to play a celebrated run at Théâtre du Nouveau Monde – and Michel Marc and his longtime collaborator in translation Linda Gaboriau, were looking towards the English translation. The play is set in Bouchard’s home of Lac St. Jean and leans deeply on the idiomatic language and characters of the region. He and Linda both felt that the English translation should embody a similarly unique Canadian locale. They both thought of Newfoundland, and then they both thought of me.

I want to thank Michel Marc for this gorgeous and shattering play, and for trusting me with his vision. I want to thank Mireille Mayrand-Fiset for her selflessly neutral literal translation that provided the bedrock from which this humble Newfoundland monoglot could do his work. I want to thank Emma Tibaldo, Playwrights Workshop Montreal, Bob White, and the Stratford Festival for supporting the adaptation process and workshops. And I want to thank Linda Gaboriau for inviting me to venture into Michel Marc’s rich world alongside her. Linda’s decades of legendary work have ensured English Canada’s access to Quebec’s finest dramatists. Given her longstanding artistic partnership with Michel Marc, that she would recommend me in her stead is a tremendous privilege that every word of this adaptation strives to honour.

-Robert Chafe

Sehar Bhojani* is an actor and producer based in Mississauga. She is a graduate of the National Theatre School of Canada’s acting program and continues to work in both Film/TV and Theatre, most recently starring in the National Arts Centre and Crow’s Theatre co-production of Trident Moon by Anusree Roy. Currently, Sehar serves as the inaugural Room for Play Program Producer at Young People’s Theatre where she led the creation and curation of the new program. Prior to joining YPT, she served as the Associate Artistic Director of Theatre Direct for four years. #FreePalestine.

PETRINA BROMLEY* Broadway: original Bonnie and others, Come From Away; Royal Manitoba Theatre/The Grand London: Clue; Persistence Theatre: What Hangs In The Balance; Stratford Festival: As You Like It; Royal Alexandra/La Jolla Playhouse/Seattle Rep: Come From Away; National Arts Centre: Enron, The Sound of Music, Tartuffe, Metamorphoses; Artistic Fraud of Newfoundland: Oil and Water; AfterImage; Fear of Flight. TV: “Snook Out On Bail”, Bette; Sister Margaret/Ms Fowler, “Son Of A Critch”. Meta: @petrinabromley

Evan Mercer* is an actor and writer originally from Shearstown Newfoundland. In 2023 he completed the acting program at the National Theatre School and in 2024 completed the Stratford Birmingham Conservatory. He had been fortunate to work with many great companies across the country. Recent highlights include As You Like It and Cymbeline with the Stratford Festival, and The Servant of Two Masters and Our Eliza at Perchance Theatre. He has appeared on such television shows as Little Dog, Son of a Critch, and Frontier, and was nominated for a Canadian Screen Award for his performance in the film Riverhead. His recent play Moratorium on Love was produced this past summer.

From St. John’s, Brad Hodder’s* selected credits include
THEATRE: Harry Potter and the Cursed Child (Mirvish); Hedda Gabler, Henry VIII, An Ideal Husband, Bakkhai, Shakespeare in Love, She Stoops to Conquer, King Lear, Othello (Stratford); The Virgin Trial (Stratford/Soulpepper); Mamma Mia (Neptune); Hail (RCAT); Pride & Prejudice (Grand); Prince of Homburg (TIFT); Hedwig & The Angry Inch (c2c); Fear of Flight (Artistic Fraud); Beautiful (TaDa) TV: Boston Blue (CBS); Hudson & Rex (Pope); St. Pierre, Murdoch Mysteries, Republic of Doyle (CBC); Only the Night Knows (Bell); Reign (CW) DIRECTING: Paul & Linda Plan a Threesome (Endless Winter); Fleeto, Oh The Humanity & Other Good Intentions, The 4th Graders Present an Unnamed Love Suicide (Tiny Room); Henry IV:I, Caesar, Dream (Perchance); The Leisure Society, Autobahn, Stendhal Syndrome (c2c) Associate: Winter’s Tale, Measure for Measure, Lear (Groundling) Assistant: The Crucible (Stratford) TRAINING: BFA (Acting), University of Alberta; Birmingham Conservatory; Michael Langham Director’s Workshop.

Dana Puddicombe* is a multidisciplinary artist from Roaches Line, NL. Stage credits include originating roles of Rosie/Maggie in Parents Night/The Bigger Issue by George F. Walker, Jenny in Dead Metaphor (Theatre Aquarius) and Olga in Three Sisters (Wolf Manor). Screen credits include Purgatory, Below, Hot Dog Dynasty, Saint-Pierre, Son of a Critch, The Handmaid’s Tale, Murdoch Mysteries and Hudson & Rex. She is a Canadian Screen Award Nominee (Best Supporting Performance, What Odds!) and Dora Award Winner (Best Independent Ensemble, La Chasse Galerie). She co-wrote/produced the digital series Band Ladies and her short film Fine, Considering is premiering at the 2026 St. John’s International Women’s Film Festival. Dana was a Story Editor in the 2026 PictureNL Writers Room and is currently developing a half hour comedy with support from the Canada Media Fund. Dana coaches improv comedy with St. John’s Improv and is Board Chair for NL Sketch Comedy Festival.

Gordon Patrick White* has worked with various companies in the Atlantic provinces and across Canada, including The Great Canadian Theatre Company in Ottawa (‘An Acre of Time’), Native Earth in Toronto (‘A Very Polite Genocide’), Magnus Theatre in Thunder Bay (‘Dead White Writer on the Floor’), and Theatre North West in Prince George BC (‘Where The Blood Mixes’). Other credits include Clov in ‘Endgame’ (Theatre NFLD and Labrador); ‘The Velveteen Rabbit’ (Theatre New Brunswick); Puck in ‘A Midsummer Night’s Dream’ (Stephenville Festival); ‘Strange Humours’ (Eastern Front Theatre); Titus in ‘The Devil’s Disciple’ (Neptune Theatre); ‘Merlin’(Halifax Theatre for Young People); Kemp in ‘Vigil’ (Live Bait Theatre); Little Red in ‘Little Red Warrior and his Lawyer’ (Theatre Calgary); and as twins Edger and Ledger in ‘Ivor Johnson’s Neighbours’ (Ship’s Company Theatre). He has appeared in six seasons at the Stratford Festival, in such roles as the Fool in ‘King Lear’, Paris in ‘Romeo and Juliet’, Friar Francis in ‘Much Ado About Nothing’ Simon in ‘Mother’s Daughter’, Black Dog in ‘Treasure Island’, Egeon in ‘The Comedy of Errors’ and Ezekiel Cheever in ‘ The Crucible’. Gordon appeared as Edger in ‘King Lear’ at the National Arts Centre, with August Schellenberg, directed by Peter Hinton. Tv and film credits include: This Hour Has 22 Minutes, Haven, Black Harbour, Mr. D, New WaterfordGirl, Blackfly, Rollertown, Charlie Zone, and Picnicface.

Born in 1958 in Saint-Cœur-de-Marie, Quebec, Michel Marc Bouchard is one of the most influential Canadian playwrights, screenwriters, and librettists of his generation. A drama graduate from the University of Ottawa, he has written over 25 plays translated into multiple languages and performed worldwide. He also shares his expertise by teaching at the National Theatre School of Canada.

His work, marked by strong themes such as the quest for identity, homosexuality, and family secrets, includes essential masterpieces such as Lilies, The Orphan Muses, Tom at the Farm, and The Divine. Several of his creations have been successfully adapted for the screen by renowned directors like Xavier Dolan. Notably, the film adaptation of Lilies (Les Feluettes) won the 1996 Genie Award for Best Film. As an opera librettist, he created the highly praised Les Feluettes, La beauté du monde and La Reine-garçon.

Recognized for his poetic and striking voice, he has received prestigious distinctions, including the Prix Athanase-David and the Governor General’s Performing Arts Award (2023). Named an Officer of the Order of Canada and the Ordre national du Québec, he remains a monumental figure in French-language culture.

With 35 years of experience, Jillian Keiley* has helped shape the landscape of Canadian theatre. As the former Artistic Director of Canada’s National Arts Centre English Theatre (2012–2022), Founding Artistic Director of Artistic Fraud of Newfoundland, and Associate AD at the Resource Centre for the Arts, Jillian has been instrumental in more than 200 theatre pieces, guiding stories from concept to stage as an innovative director, producer and presenter. Jillian’s directing portfolio spans over 80 productions across diverse genres. Her contributions have been honored with prestigious awards, including the 2004 Siminovitch Prize in Theatre and the Canada Council John Hirsch Prize. She also holds honorary doctorates from Memorial University and York University. With her husband Don Ellis, she runs Archangel Studios – a recording, workshop and retreat space on the Southern Shore. www.archangel-studios.ca, www.jilliankeiley.com

Robert Chafe is a writer, educator, actor and arts administrator based in St. John’s. He has worked in theatre, dance, opera, radio, fiction and film. His plays have been seen in Canada, the United Kingdom, Australia and the United States, including Oil and Water, Tempting Providence, Afterimage, Under Wraps, Between Breaths, Everybody Just C@lm the F#ck Down, I Forgive You (with Scott Jones), and The Colony of Unrequited Dreams (adapted from Wayne Johnston’s novel.) He has been shortlisted four times for the Governor General’s Literary Award for Drama, and he won the award for Afterimage in 2010. In 2016 Opera on the Avalon premiered his opera Ours (with composer John Estacio). He has taught at Memorial University, Sir Wilfred Grenfell College, and The National Theatre School of Canada. In 2018 he was awarded an honorary doctorate from Memorial University. He is the playwright and Artistic Director of Artistic Fraud.

 

Shawn Kerwin** is thrilled to be working again in Newfoundland.
For Artistic Fraud: set design; After Image, Oil & Water, Colony of Unrequited Dreams, set & costume design; Between Breaths. Other work in Newfoundland includes; co-creator/designer: float (2018); set design: Gander ACC; Come From Away (2023)
Recent work includes set & costume design: Belfry Theatre: Casey & Diana, The Lehman Trilogy, Pacific Opera; The Turn of the Screw, Stratford; The Goat, Canadian Stage/Starvox: Playing Shylock, costume design: Globe Theatre; Arsenic and Old Lace, Canadian Stage; You Always, co-creator/ designer: Toronto Museum/Luminato/ Toronto Archives; The 52.
Upcoming Set & Costume Design: Theatre Calgary; True West, Vancouver Opera; La Traviata, Stratford Festival; Playing Shylock.
Her work has been seen internationally and in Canada she has designed for Mirvish Productions, Soulpepper, Signal Theatre, Blyth Festival, Factory Theatre, Tarragon Theatre, National Arts Centre and others. She is Professor Emeritus of York University’s Department of Theatre.

Marie Sharpe was the Costume Designer for the Arts and Culture Centre in St. John’s, Newfoundland for 38 years. She is the recipient of the Newfoundland and Labrador Arts Council Arts Achievement Award and also the Public Service Award of Excellence for her Innovative Contribution to Culture. During her career she designed and cotumed hundreds of productions for both amateur and professional theatre, working with most, if not all, of the theatrical groups in the province. Marie’s extensive freelance work includes costuming historical and military projects, as well as films, documentaries, feature movies and television series.

Arun Srinivasan** has worked extensively in the performing arts for over 30 years. He has designed for The Stratford Festival, Soulpepper Theatre, Tarragon Theatre, Crow’s Theatre, Factory Theatre, Canadian Stage, Musical Stage Co. and The Royal Conservatory of Music. Select dance collaborators have included Robert Desrosiers, Peter Chin, Danny Grossman, Santee Smith, The National Ballet School, ProArteDanza and Yvonne Ng. His career has garnered him 10 Dora Mavor Moore Award nominations for Outstanding Lighting Design in both the theatre and dance categories. Arun has had the privilege of teaching and / or mentoring at York University, Toronto Metropolitan University, the University of Waterloo, The National Theatre School & The Banff Centre. Productions have taken him to Sweden, Ukraine, Mexico, Malaysia, Singapore, India, China and across North America. Arun is a member of The Associated Designers of Canada. When not working in the dark, he is a big motorcycle enthusiast and you’ll find him cruising.

Don Ellis is usually found behind the mixing console, recording the album,  swinging the boom on film sets, sound designing for theatre or playing drums bass or guitar in a handful of bands.

Originally from Vancouver BC, Jaimie Tait* moved to Newfoundland twelve years ago and is now proud to call St. John’s her home. Last Spring, Jaimie stage managed Man of the Year for Artistic Fraud. Other favourite stage management credits include: The opening and closing ceremonies for the 2025 Canada Summer Games, Offensive to Some for Persistence Theatre, Betroffenheit with Kidd Pivot, and Chelsea Hotel: The Songs of Leonard Cohen for The Firehall Arts Centre. Jaimie and Philip Goodridge are the movement theatre duo Watching the Detectives, they have performed in The Cameo Series and Groundworks Dance Festival in St. Johns and recently had an artistic residency with Untellable Movement Theatre. Jaimie is a graduate of Studio 58.

Sophia Molnar (she/her/elle) has a BFA from Grenfell’s Technical Theatre program. Selected credits include: She is Here (RCAT); Man of the Year (Artistic Fraud); Every Brilliant Thing, Goodnight Desdemona, (Good Morning Juliet), Little Women (Perchance Theatre); J’aime ma fran-cophonie (Les Aventures d’Amandine & Rosalie); 76 Centimeters, Braiding Peonies (TODOS Produc-tions); An American Hymnal (Terra Bruce Productions); How To Make Bread; Jewel, The Birds, The SS Ethie (The Gros Morne Theatre Festival). Merci à tous and enjoy the show!

Pat Dempsey is a Theatre Practitioner based in St. John’s, NL. He has spent the past 30 years working primarily as a Designer for projection, sound and lighting, as well as a Technical Director and Production Manager. During his career, Pat spent over 10 years teaching technical theatre at the Memorial University of Newfoundland, 15 years as the Associate Technical Director for RCA/LSPU Hall, and has been the Technical Director for many local theatre companies. This has led to his touring of many shows across the country and overseeing the technical side of the renovations to the Majestic Theatre. Pat is currently the Technical Director for Artistic Fraud of Newfoundland and the Production Manager for Come From Away, which plays every summer in Gander, NL.

Jessica Quaw is a Ghanaian theatre artist and emerging director with a background in acting and stage management. Her experience across different areas of theatre informs an actor-centered approach to directing, grounded in collaboration, curiosity, and attention to character. She recently completed the Centra NL Black Theatre Training, Directing Workshop and is currently expanding her directing practice as directing mentee to Jillian Keiley on The Night Logan Woke Up.

RCA

Suzanne Mullett
General Manager

Meghan Greeley
Artistic Animateur

Luke Rowe
Creative Producer
& Director of Education

Kevin Woolridge
Public Relations & Fund Development Coordinator

Ren Follett
Box Office Manager

Nora Barker
Operations & Youth Programming Manager

Sarah White
Production
& Technical Manager

Reg Hoskins
Technical Director

Brandon Cave
Box Office Supervisor & Volunteer Coordinator

Board of Directors

Allison Kelly
Chair

Janice Connors
Treasurer

Jennifer Walsh
Secretary

Courtney Brown
Cass LaCosta
Morgan MacRae
Alison Stoodley
Ciarán Dyke

RCA Mission Statement

The Resource Centre for the Arts aims to provide accessible, supportive and well-resourced programs and venues, with primary focus on the creation, development, and advancement of the performing arts in Newfoundland and Labrador.

RCA Theatre Company Mandate

RCA Theatre Company provides resources and supportive environment for the production and promotion of theatre in St. John’s and throughout Newfoundland and Labrador.

 

 

 

Artistic Fraud, formed in St. John’s in 1995, has been hailed as one of Canada’s most daring and innovative theatre companies. Since its creation, Artistic Fraud’s mission has been to build and maintain a viably operating and artistically satisfying professional theatre company operating from the province of Newfoundland and Labrador, in order to promote Newfoundland and Labrador talent, as well as new techniques developed by the company, throughout the nation.

Artistic Director
Robert Chafe

Artistic Director Emeritus
Jillian Keiley

Managing Producer
James Richardson

Associate Producer
Emma Cole

Technical Director
Pat Dempsey

Board List
John Drover – Chair
David Hood – Treasurer
Erin French
Kate Greenwood
Heather Moore
David Somers

DONORS

The following list is correct as of the time of printing. Please contact Managing Producer James Richardson (james@artisticfraud.com) with any errors or omissions.

You too can join this group and help inspire our imagination. Donate online today www.artisticfraud.com

Heather Barrett

Sharon K Buehler

Rhona Buchan

Robert Chafe

Bernard Collins

Nancy Dahn

Marget Davis

Renee Finlayson

Patrick Foran

John Frecker

Judy Fudge

Michael Furlong

Noreen Golfman

Bruce Grant

Jill Handrigan

Michael Harrington & Evelyn Reid

Jack Harris

Laurel Anne Hasler

Lynda Hendrickson

Geraldine Hollett

David & Karen Hood

Eric Hood

Danielle Irvine

J. Johnson

Andy Jones

Peter Jones

Shawn Kerwin

Hank Knox

Kathleen Lippa

Denyse Lynde

Michele Maloney

Heather Moore

Sharon K Nisbet

Heather O’ Connell

Shane O’Dea

Marion Parsons

Ellen & Ronald Pellerin

Michael Pena

Roger Pickavance

Jeremy Pridham

Karen Rehner Jim & Laura Richardson

Maureen Ryan Jane & Thomas Scott

Bryar Smith

Jane Smith

David Somers

Sarah G. Stanley

Eugenia Sussex

Francis Scott Walden

Roger White

Alison Woolridge

FOUNDATIONS & PRIVATE FUNDS
Sarah & Matt Goodman Fund

Mercer Lunz Foundation

Janet & Christopher March Fund

Perlin Family Trust

Redpoll Foundation

CORPORATE SUPPORTERS
Robert Decker Remax Infinity Realty

JV O’Dea Services PLC

Ridley Properties

 

Tarragon Theatre is Canada’s creation and playwrights’ theatre. We develop, produce, and present productions that push the boundaries of artistic form, creating enriching and provocative theatre experiences for artists and audiences alike. For fifty-five years, our mission has been foundational to Canadian theatre, new play development, and the practice of dramaturgy. We open our doors to celebrate and learn from the full scope of voices that make up this country, and the artistic practices that resonate within them. With a National mandate, Tarragon is as much a hub for creation and development as it is a production company — our ultimate goal is to build a meaningful environment where artists can thrive and bring their ideas from concept to realization.

Associate Artistic Director

Jeff Ho

Artistic Producer

Lucy Powis

Education & Community Access Manager

Heather Caplap

Education & Youth Outreach Coordinator

Paul Smith

Associate Producer

Becks Hoàng-Lefranc

Director of Development

Mitsuki Amano

Development & Special Events Coordinator

Natalie Skov

Interm Director of Marketing & Communications

Lauren Vandervoort

Publicist

Danielle Morgan

Marketing Coordinator

Teagan McCanny

Director of Production

Shawn Henry

Technical Director

Jaxun Maron

Mainspace Technician

Kate Dover

Extraspace Technician

Jeul Balane

Head Carpenter

Andrew Chute

Head of Props

Alannah Dzijacky

Head of Wardrobe

Acadia Walsh

Head Scenic Artist

Emma Burnett

Facilities Manager

Matt Panell

Director of Patron Services

Natasha Parsons

Manager of Patron Services

Micaela Molina Morales

Assistant Manager of Patron Services

Anita Soutendam

Assistant Manager of Patron Services

Lee Stone

Patron Services Representative & Family Services Coordinator

Jackson Nair

Patron Services Representative

Em Coulson

Patron Services Representative

Rahaf Fasheh

Patron Services Representative

Charley Hausknost

Patron Services Representative

Jonnie Lombard

 

The LSPU Hall is turning 100 years old this year and we’re celebrating with a special art event! Between now and Nov 24, we invite you to share your own portraits of the Hall! Hall portraits can be in any medium: paint, print, photography, pencils, markers, whatever you like, as long as it can be displayed in physical form and celebrates our grand old building. Pieces generated with AI will not be accepted. Portraits will be displayed in the LSPU Hall Second Space as part of a special exhibition anniversary event on Dec 8.

But that’s not all! You can opt-in to have your portrait included as part of a silent auction fundraiser* for the LSPU Hall! If you opt-in, half of the proceeds will go to the Hall and you’ll collect the rest. Potential purchasers will have a chance to bid in-person and online. In addition, and before bidding opens, one piece will be chosen by the LSPU Hall for a cash prize* and permanent installation at the Hall. Check the link for more info: Portraits of the Hall: Contest and Exhibition Event – Fill out form

We look forward to seeing your work!

*Please note that the fundraiser and award are limited to ages 19+. We are working on a youth event for later in the spring. Stay tuned!

Playing in Toronto Nov 17- Dec 13!