Although this production draws deeply from real events, lived
experiences, and interviews, the playwright has chosen to reimagine
the story through the fictional community of Lilly Harbour. In doing
so, the play creates space for interpretation, variation, and emotional
truth beyond literal fact. What unfolds onstage is not documentary,
but a work of fiction rooted in the realities that inspired it
She Is Here
by Marquita Walsh
CAST
Amelia Manuel
Allison Kelly*
Alison Woolridge*
Colin Furlong
Darryl Hopkins
Deidre Gillard-Rowlings
Stephen Lush
Director/Co-Set Designer
Jillian Keiley*
Playwright/Assistant Sirector/music director
Marquita Walsh
Choreographer
Jennifer Lynn Dick
Soundtrack Composed by
Marquita Walsh, Kalem Mahoney, Ian Foster, Justin Merdsoy
Production Manager/Stage Manager
Sarah White
* The participation of these Artists are arranged by permission of Canadian
Actors’ Equity Association under the provisions of the Dance•Opera•Theatre
Policy.
Assistant Stage Manager
Sophia Molnar
Set Designer/Builder
Karl Simmons
Costume Designer
Melanie Mooney
Lighting Designer
Bob Stamp
Sound Designer
Don Ellis
Dramaturgy
Jillian Keiley, Robert Chafe, Meghan Greeley, Amelia Manuel
Logbook and Historian
Tom Walsh
Poster
Perfect Day
Saltwater Joys used with permission from Wayne Chalk.
Oh Suzannah/Mrs. Bell Fennelly’s used with permission from
Duane Andrews and Aaron Collis.
Thank You
Terry Doyle for his Ford Ranger, Majestic Theatre Hill for support
in the rehearsal process, John C. Perlin Arts and Culture Centre for
shop space, Luke Rowe and Meghan Greeley for set/props support,
Trev White for the rehearsal trees, Lisa Porter, and Debbie Clarke
From the Artistic Animateur
Welcome to the final production of RCAT’s 2025-26 Season. It is an honour to bring you SHE IS HERE by Marquita Walsh, and I would like to welcome and thank in particular the family, townspeople, and first responders among our audience whose lives were forever changed by the real events that inspired this play. Thank you for your generosity throughout this piece’s development, and thank you for your courage in joining us today.
It would be easy, in our true crime-obsessed society, for any story about this real tragedy to run the risk of sensationalizing events. In developing SHE IS HERE, Marquita has taken the direct opposite approach, writing with the utmost care and compassion for Samantha’s memory, for her family, and for her community. Marquita has generously drawn from her own memories as a child on the sidelines of an unfolding disaster, and in the expert hands of Jillian Keiley, along with a cast and creative team that includes some of our province’s very finest artists, SHE IS HERE helps to ensure that Samantha’s memory will not be forgotten. Sadly, a story about femicide is no less relevant twenty-six years after Samantha’s passing, and in many ways the play is a warning and a wake-up call, told with a deeply complicated love for this place we call home. -Meghan Greeley
From the Director
A Note on the Design: Inspired by Fleur de Lys To visit Fleur de Lys on the Baie Verte Peninsula is to be struck by the extraordinary way the town and harbour are held in the embrace of magnificent evergreen-covered hills. Three of these hills—known locally as the Hummocks—form the trifoil shape that gives the town its name. The woods have always been my favourite place. For many of us raised outside cities, the woods were where growing up unfolded most freely: tobogganing and skidoo tracks, hide-and-seek, first romances, long hikes with dogs, and brave nights spent in tents. But twenty-five years ago, on one horrific night, the woods in Fleur de Lys became a terrifying place. When a child is taken in a town everyone believed to be safe, the rupture is profound. It brutalizes a family and shatters an entire community’s faith in the world around them. In imagining this production, I found myself asking: how does a place recover when a moment of violence turns a beloved landscape against itself? How can a place once marked by fear become safe again? In opening the extraordinary Sam’s Place Café, Samantha Walsh’s mother, Millie, fought fiercely to preserve not only the memory of her daughter, but also the spirit of her community. The benches in our design are a salute to the creative and inspiring wooden benches and tables and walls in the cafe, hand hewn out of love. The trees brought into this production are offered as a tribute to the evergreen vigil and embrace that endures in Fleur de Lys still.
I am grateful to Marquita for inviting me to help bring this play to life, and to this beautiful team of theatre makers who spend their lives trying to make our world a little kinder, a little truer, and a little more beautiful.
– Jillian Keiley
From the Playwright
I was born and raised in Fleur de Lys, a community of 300 people on the northwest tip of Newfoundland—known for its tranquility, its music, and its deep sense of care for one another. I was eight years old when Samantha Walsh went missing. For eighteen days, I watched as my father, my Uncle
Tom, and the entire community searched—combing every inch of the harbour and surrounding land. In the years that followed, I struggled to understand the gravity of what had happened, and to articulate the quiet but lasting impact it had on my young mind. Twenty years later, I began writing
She Is Here. At first, I was writing for Samantha, and for Fleur de Lys. I believe that what happened there—to Samantha and to her family—should never be forgotten. But somewhere along the way, the work became something else. I began writing for my own life.
During the creation of this play, and through the therapy I was engaged in alongside it, I was formally diagnosed with Complex PTSD, ADHD, Major Depression, and an eating disorder. Writing She Is Here revealed the ways trauma had shaped my life—often invisibly, but profoundly. There were times I didn’t think I would finish the play. I stepped away to focus on healing, and in that space, I began writing music. My debut solo album, Nightshades, was created alongside the final drafts of this work, offering an emotional outlet to process what had long been held inside. Music from that album now forms part of the live soundtrack of the play. This work is, at its core, an act of remembrance—but also of survival, and of hope.
I would like to extend my deepest thanks to Millie Walsh for her blessing and support; to Uncle Tom Walsh; to my parents, Sherry and Len Walsh; and to my cousins Devina Alward and Jill Dempsey for their generosity in sharing their memories. Thank you to Constable Patrick McNeal, and to my mentors Nicole Rousseau, Robert Chafe, Meghan Greeley, Jillian Keiley, and Mary Lou Stuckless—your guidance has been invaluable. I am deeply grateful to my friends and collaborators at RCA Theatre for standing by me and allowing me to work at a safe and supported pace, and to this brave and generous cast for holding this story with such compassion, dignity, and care. I will never forget creating this piece with you. Jillian—words cannot express my gratitude and love. Your kindness, friendship, mentorship, and leadership inspire me every day. Thank you to Arts NL for their belief in this project and in my work as an artist. Devon, Mihalis, Jerry and Faye, thank you for your support and friendship. To my music collaborators and cowriters on Nightshades—Kalem, Ian, Justin, Scott, Elliot, and Nick—thank you for your talent, your friendship, and for helping me create a space where I could write myself back to life. And to my family Mom, Dad, Nick, Dell, Beck, for their constant love and support. Josh—thank you for being Home. – Marquita Walsh
Amelia Manuel
Amelia Manuel is an actor, singer,writer and director from Clarenville, NL. Some standout theatrical roles include Mackenzie in Man Of The Year (Artistic Fraud), Eleanor in Grace (Poverty Cove Theatre), Millie in Birthday Balloon (Rising Tide Theatre), Dorine in Tartuffe (National Arts Centre), Helena in A Midsummer Night’s Dream and Velma Kelly in Chicago (Stephenville Theatre Festival), and Myra Bennett in Tempting Providence (Theatre Newfoundland Labrador). On screen, Amelia has appeared in critically acclaimed films such as Hunting Pignut, Black Conflux, Sweetland, and The King Tide. Selected television credits include Astrid & Lilly Save The World, SurrealEstate, and Hudson & Rex. Amelia has written for and appeared in Rising Tide’s Revue ‘09, ‘10, ‘11, ‘16, ‘17, ‘19, & ‘21, as well as SketchFest’s revamped Revue ‘25.
Allison Kelly
Allison Kelly is a director, actor, and writer. Allison has studied acting (BFA, MFA) and has a diploma in directing from The National Theatre School. Select acting credits: The Drowning Girls, Seal Slippers (RCAT), Our Eliza, Hamlet (Perchance), and 2025 Year in Revue (ACC and The Sketch Comedy
Initiative). Select directing: Every Brilliant Thing (Perchance), NL Rocks: Shed Party, Our Eliza (GMTF), A Midsummer Night’s Dream (Grenfell Campus), If She Runs (White Rooster, Persistence) Allison was the assistant director on Come From Away (2023) and Man Of the Year. She is one fourth of the sketch comedy troupe Mom’s Girls. She teaches acting and sketch comedy at Memorial University’s Grenfell Campus. Allison is currently working on an adaptation of Little Women for the theatre, and upcoming will be directing Lois Brown’s play Drinking Again, produced by White Rooster.
Darryl Hopkins
Darryl Hopkins is an actor & musician, from Mount Pearl, NL. He holds a BFA from SWGC (MUN), where he received the Tommy Sexton Award in 2002. Hopkins spent the following decade touring and performing Robert Chafe’s Tempting Providence to over 120,000 people on 3 continents. He was awarded Best Actor in a Short Film from both the Monaco International Film Fest (2017) & the Social World Film Fest (2018) for his performance, in Noel Harris’ Touch. Hopkins, also a songwriter, goes by the moniker Avalon Stanley & will be playing live at Sláinte (115 Duckworth St.) on May 23rd. One can find his music online at www.avalonstanley.com
Alison Woolridge
For over forty years Alison Woolridge has performed in theatres from Vancouver Island to her native Newfoundland, the US and Ireland. Shaw Festival company member (six seasons),Toronto company of Mamma Mia for three years. Most recently: Man of the Year and the sold out run of Alan Doyle’s Tell Tale Harbour (Mirvish, Toronto). Other: Henry V, Merry Wives, Jacques Brel, Educating Rita, Trafford Tanzi, The Winslow Boy, 1949, Artistic Fraud’s Oil and Water, The Colony of Unrequited Dreams (national tours). Directed: Girl Meets Tuba, Garden by Mattel. Member of the National Arts Centre 2015/16 English Acting Ensemble (Anne and Gilbert, Twelfth Night), Adventures of A Black Girl in Search of God (Centaur), Tartuffe (NAC tour), Supper Club (RCAT), Anne of Green Gables (Charlottetown Festival), Come From Away (Gander). Film: Away From Everywhere, Newfoundland at Armageddon, Sex in Cars, C Sharp, Body and Bones, Come Home Year, The Existence of Magic, (CBC Gem), SurrealEstate. For Brian.
Deidre Gillard-Rowlings
Deidre Gillard-Rowlings is from the Great Northern Peninsula of NL. She holds a BFA from Memorial University and is a founding member of Bare Boards Theatre. She proudly played NURSE MYRA BENNETT for a decade (2002 – 2012) with Theatre Newfoundland Labrador’s touring production of “Tempting Providence”, by Robert Chafe. She’s worked with companies all across the country, including 4 seasons at The Stratford Theatre Festival. Some film and TV credits include VIOLET in Gordon Pinsent’s M.O.W “Heyday!”, KITTY in Mary Walsh’s short “Dad & the Fridge Box”, RACHELLE DONOVAN in CBC’s “Saint Pierre” SE1, OLLIE in City TV’s “Hudson & Rex” SE8, and most recently SISTER AGNES, a resolute school principal in the upcoming Panoramic Feature film “Purgatory”. She has several writing projects in the works, a children’s book: “Tickle Bridge Station” and 2 screenplays: “The Devil’s House” & “Molly & Mary-Jane”. She’s truly grateful to be back at RCAT, collaborating with this tremendous team
Stephen Lush
As a professional actor, Stephen Lush has created characters for St John’s theatre in each of the last 5 calendar decades. Stephen last worked with RCA Theatre in the 2023 production of “RIG.” He has been featured in numerous NL films and television productions in supporting and principal roles. For 10 years from 1998 to 2008, Stephen wrote and performed “Sunday Dinner with Briany Newell” for CBC Radio One. He studied acting at The Neighborhood Playhouse School of the Theatre in NYC.
Colin Furlong
Colin Furlong is an actor from Mount Pearl, NL and is thrilled to be returning to the stage at The Hall. Previous shows for RCAT include There’s Nothing You Can Do, Squawk, Seal Slippers, Tangly, and The Ogre’s Purse. Colin has also spent many years working with Rising Tide Theatre, The Gros Morne Theatre Festival, Perchance Theatre and has toured shows throughout Ontario, Atlantic Canada, and the U.K. Notable recent roles include Joey Smallwood in both The Colony of Unrequited Dreams (Artistic Fraud) and The Only Living Father (TNL), Angus in Tempting Providence (Artistic Fraud), and Roly/George in High Steel(Perchance). Recent film and tv credits include Hudson and Rex, Astrid and Lilly Save the World, SurrealEstate, Son of a Critch, and feature film Sweet Angel Baby. Enjoy the show!
Jillian Keiley
As the former Artistic Director of Canada’s National Arts Centre English Theatre (2012–2022), Founding Artistic Director of Artistic Fraud of Newfoundland, Associate Artistic Director at the Resource Centre for the Arts, and a freelance director, Jillian has been instrumental in more than 200 theatre pieces, guiding stories from concept to stage as a director, producer and presenter. Her contributions have been recognized with the 2004 Siminovitch Prize in Theatre and the Canada Council John Hirsch Prize. She holds honorary doctorates from Memorial University and York University. This year you can see her work in Regina, Toronto, Barrie, Vancouver, Conception Harbour, Corner Brook, Gander and St.John’s. www.jilliankeiley.com
Marquita Walsh
Marquita Walsh is a multidisciplinary artist from Fleur de Lys, Newfoundland. Her outport upbringing has always been her biggest inspiration for storytelling. In 2013, Marquita graduated from Memorial University’s Grenfell Theatre Program with a Bachelor of Fine Arts (Acting). For the past 15 years, she has worked extensively across the island and country as an actor and singer. Walsh is also a songwriter, and producer. Her debut band album, Into the Night by Streel, was nominated for Music NL’s Pop album of the year in 2018 and she went on to represent Newfoundland at Toronto’s NXNE Festival that same year. Marquita is described as a captivating performer who approaches her work energetically and with authenticity. Her unwavering dedication to her craft has made her a prominent voice in the Newfoundland theatre community. She is Here and the accompany album Nightshades will serve as Walsh’s debut as a playwright and as a solo artist.
Select theatre credits include: A Midsummer Night’s Dream, Tempting Providence—Perchance Theatre; Tempting Providence, Neddy Norris Night, Newfoundland Vinyl– Gros Morne Theatre Festival; Revue 2018 – Rising Tide Theatre; Brazil Square, Rig – RCAT; and Anne of Green Gables (The Musical), Tell Tale Harbour (The Musical)– Confederation Centre of the Arts. No Change in the Weather—Terra Bruce Canadian Tour.
Select film credits include: Rosie Cortez-Hudson and Rex/CityTV, Detective Lucy Harker- Surrealestate/SyFi, Reynolds- Little Dog/CBC/Season 1&2.
Sarah White
Sarah White is a theatre artist from the west coast of the island. Having moved to St. John’s in 2022, she has found her home at the LSPU Hall with RCA Theatre. Sarah works a range of positions on the production side of theatre, but is absolutely thrilled to make a return to Stage Management for She Is Here. This has been a very special production to work on, and Sarah couldn’t be more pleased to be a part of the team bringing this story to the stage.
Jennifer Lynn Dick
Jennifer Lynn Dick [she/her] is a dance artist whose work bridges performance, choreography, teaching, writing, and archival research. Born in St. John’s, NL, the ancestral and unceded territory of the Beothuk and Mi’kmaq (Ktaqmkuk) she is committed to dance as a shared, evolving practice, and collaborates across communities and disciplines. She has created and performed nationally and internationally and holds an MA in Dance from York University. She is currently working on a short solo comedy, What’s my IP: The Accidental Archives of an Aging Dancer.
Sophia Molnar
Sophia (she/her/elle) has a BFA from Grenfell’s Technical Theatre program. Selected credits include: Man of the Year (Artistic Fraud), Every Brilliant Thing, Goodnight Desdemona (Good Morning Juliet) (Perchance Theatre); 76 Centimeters, Braiding Peonies (TODOS Productions); J’aime ma francophonie (Les Aventures d’Amandine & Rosalie), An American Hymnal (Terra Bruce Productions); How To Make Bread; Jewel, The Birds, The SS Ethie (The Gros Morne Theatre Festival). Merci à tous and enjoy the show!
Bob Stamp
Originally from St. John’s, Bob Stamp returned home to St. John’s in 2021. He has been working in arts and entertainment for more than 40 years. Recent lighting designs include ‘There’s Nothing You Can Do’, ‘Oderin’, and ‘Drive’ as well as ‘Intersections’ and ‘Metamorphosis’ for Kittiwake Ballet. Bob is delighted to be back working at the Hall with this incredible group of artists.
Karl Simmons
Karl Simmons spent a lifetime in technical theatre and motion picture production. During his career he has had the privilege of working on many wonderful productions. Having retired after 49 years at the St. John’s Arts and Culture Centre (the last 19 as Technical Director), Karl took on some major technical directing gigs including Beautiful: The Carole King Musical, Jersey Boys, Rocky Horror and Kinky Boots (TaDa!) and Come From Away in Gander these past three summers. As a scenic designer, some of Karl’s favourite designs include Jersey Boys, Kinky Boots, Rent, Evita, We Will Rock You (TaDa!), The Jail Diary of Albie Sachs (Rising Tide Theatre) A Good Place To Hide National Arts Centre). Karl is thrilled to help Bring “She Is Here “ to the stage of the LSPU hall.
Melanie Mooney
Melanie Mooney is a Costume Designer from Mount Pearl, NL. She has been working in theatre, film, and television both locally and abroad for the past 25 years.
She began her career as the Head of Costume/Props with Gros Morne Theatre Festival. After receiving her bachelor of Fine Arts in Theatre from Grenfell, Memorial University, she moved to London, UK where she worked in costume departments in the West End and National Theatre. From there, she moved to Toronto where she was the arts administrator at the Tarragon Theatre. Since moving home, she splits her time between film, television and theatre.
Her film and television credits include Hudson & Rex, Skeet, 73 Seconds, Oliver, Second Place, and the upcoming feature, The Marshal
She is happy to be at the Hall again, her past RCAT costume design credits include Brazil Square (2015), Tangly (2018), Men of Misfortune (2018), and Seal Slippers (2019).
Reg Hoskins
Reg Hoskins (he/him) is a multidisciplinary theatre artist working in various capacities, ranging from stage manager, to designer, to director, to technical director, and more. Home in Three Plays: Bowring Park, Cashin Avenue, and Cookstown (STTC and Resource Centre for the Arts Theatre (RCAT)) at the LSPU Hall. Select Credits include: Technical Director–2022 St. John’s Short Play Festival. Lighting Designer and Technical Director–Birthday Balloon (RCAT). Lighting Designer, Technical Director and Projection Designer for RIG (RCAT). As Lighting Designer: Soldier’s Heart (New Curtain Theatre), Never Swim Alone (GroupHug Productions), The Goat, or Who is Sylvia? (Joint Productions).
Don Ellis
Don is usually found behind the mixing console, recording the album, swinging the boom on film sets, sound designing for theatre, or playing drums, bass, or guitar in a handful of bands.
The Mess Hall
The Mess Hall supports the exploration of work by our community members. By registration and subject to
availability, each Monday our Second Space will be open for Membership use from 6-9.
Want to workshop a play with friends? Want a private space to rehearse for an upcoming audition? Want to practice a very loud instrument far from the ears of your roommates? Mess Hall is for you! For more information
visit: https://lspuhall.ca/theatre/mess-hall/
Not a member but interested in becoming one? Visit us at www.lspuhall.ca/membership
Summer Camps!
We are gearing up for our summer camps here at RCA Theatre Academy! Classes are now open for registration for ages 5-9, 10-13, and 14-18! Our Kids at the Hall Primary and Intermediate Theatre Camps are a great way to for kids to build confidence, learn new skills and make new friends. Our Summer Theatre Intensive offers high school students the chance to learn from industry professionals, with classes in acting, directing, lighting, sound, costumes, and more!
Camp Dates:
Intensive Aug 3-7
Primary Aug 10-14
Intermediate Aug 17-21
Contact Nora at
youthcoordinator@rcatheatre.ca to register today!
Thank You to the LSPU Hall Volunteer Ushers!
Akash Saha
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Thank You to Our 25-26 Donors!
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(Founding Donation)
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Monthly Donors
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Seats Campaign
A4 – Jim Dempsey
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Lippold
A6 – Lisa Moore
A10 – Karen Skinner
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Volunteer at the Hall!
Volunteers are the backbone of the theatre community.
We would truly be lost without them and can not thank them enough for their wonderful work.
Visit lspuhall.ca/volunteer or e-mail our volunteer
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Why volunteer at the Hall?
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Join Us for the Long Hall!
RCA has embarked upon an ambitious fundraising campaign to build on its remarkable history. Our commitment to the pillars of Live, Local, and Creative, have resulted in some of our province’s greatest theatrical works, by artists who have gone on to national acclaim.
We offer meaningful engagement and full expression of the diverse voices that make up our province today: some have been here for many years, some we are just welcoming now, and some were here long before us.
We are seeking investment to continue telling our provinces unique stories in a facility that is both historic and yet fully equipped to meet the needs of today’s creative producers and the audiences that gather to experience their work.
Specifically, RCA is seeking funds to deliver on three important and necessary objectives: Live Theatre, Capital Improvements, and Building a Creative Workforce, with the ultimate goal of raising $500,000.
To date we have raised over 20% of those funds, starting with a most generous donation from the Perlin Family Trust. Join us to ensure that live theatre, of the caliber RCA is known for, continues its remarkable history.
For more information about this campaign and how to get involved please contact Suzanne Mullett at generalmanager@lspuhall.ca.
RCA
Suzanne Mullett
General Manager
Meghan Greeley
Artistic Animateur
Luke Rowe
Creative Producer
& Director of Education
Kevin Woolridge
Public Relations & Fund Development Coordinator
Ren Follett
Box Office Manager
Jenay Hikele
Operations Manager
Sarah White
Production
& Technical Manager
Reg Hoskins
Technical Director
Nora Barker
Youth Program Coordinator
Brandon Cave
Box Office Supervisor & Volunteer Coordinator
BOARD OF DIRECTORS
Allison Kelly
Chair
Janice Connors
Treasurer
Jennifer Walsh
Secretary
Courtney Brown
Cass LaCosta
Morgan MacRae
Alison Stoodley
Dan Lasby
Ciarán Dyke
RCA MISSION STATEMENT
The Resource Centre for the Arts aims to provide accessible, supportive and well-resourced programs and venues, with primary focus on the creation, development, and advancement of the performing arts in Newfoundland and Labrador.
RCA THEATRE COMPANY MANDATE
RCA Theatre Company provides resources and supportive environment for the production and promotion of theatre in St. John’s and throughout Newfoundland and Labrador.
